Episode #9 Featuring: James, I.Q., Tracy, Gordo, Phoebe, Trevor, Mr Milbanks, Coach Mitchell, Dr Derange, Skullcap. Synopsis: James
is returning to Warfield from a holiday when he spies Skullcap at the
airport, clutching a mysterious brown envelope. Spotting Bond, Skullcap
flees onto the runway where he hijacks an aeroplane to escape in - but
James makes chase in an airport vehicle, hooking onto the aeroplane's
wing with the mobile steps on the vehicle. He manages to climb into the
plane and confronts Skullcap, who begins firing a laser at him; but
James overpowers him and takes control of the plane. During the
confusion Skullcap loses his brown envelope and James catches it,
before ejecting and allowing the plane to spiral out of control. James
touches down at Warfield just in time for a P.E. lesson! Review:
It's
apparent that this episode was considered a 'flagship' of sorts, and
was likely one of the first to be produced given the fact that numerous
clips from it appear in the title sequence (only two other episodes, Earthcracker and Live and Let's Dance,
share this honour). In addition, a swathe of spin-off material featured
adapted versions of this particular story - see below for further
details. All this is understandable - The Eiffel Missile is
undoubtedly one of the best episodes, and an archetype for the series
as a whole. With the exception of Trevor, who barely appears, all the
characters are endearing here. With the Parisian backdrop there's
naturally love in the air, giving James, Tracy and Phoebe all the
chance to display more sensitive sides to their characters in some
character sequences that actually border on nuanced - while Marcie
comes across as a likeable and interesting female lead who keeps us
guessing for the first half of the episode as to her real reason for
being involved. Humour is provided by I.Q., whose gadgets are both
borderline offensive and deeply irresponsible - and also Gordo, whose
attempts at speaking French aren't exactly a ringing success. On top of
the action sequences, which are some of the best the series ever
offered - explaining in part their prevalence in the opening titles -
the villains of the piece are also played perfectly. Dr Derange is at
his absolute best, with some great lines and a hilarious disguise to
cap it off, and Skullcap bounces off his boss perfectly throughout,
while simultaneously retaining a sinister and ruthless side during the
hovercraft chase. To conclude, The Eiffel Missile
is in
virtually all respects a top-rated episode: very difficult to improve
on, and emblematic of the spirit of the show as a whole. Lines
to Remember: James,
having knocked Phoebe over with the punching bag: 'Sorry
Phoebe! I'm afraid I didn't see you.' Phoebe:
'I'm afraid you never do.' Phoebe, finding James
shellshocked following his goodbye kiss with Marcie: 'Oh,
the poor dear! Our being arrested must have really shaken him.' I.Q.: 'Offhand I'd
say he looks not shaken, but... stirred.' Lines
to Forget: James to
Marcie: 'It makes me wish I were an artist, so I could keep
looking at you.' Gadgets & Gizmos: I.Q.'s the man behind the digital lock analyser that helps them escape from Warfield, as well as the latest watch modifications - a homing transmitter and an acetylene torch. But that's nothing compared to the array of special accessories he provides James with in Paris: notably, a sword disguised as a French baguette, and a beret that's actually a landmine! S.C.U.M. on the Surface: Yes - James immediately identifies Skullcap as 'an agent of S.C.U.M.' in the opener, and the organisation is name-dropped throughout - although admittedly there are no uniformed agents creeping around. Loco Parenthesis: Apparently unperturbed by talk of nuclear warheads in Paris, Coach Mitchell irresponsibly encourages James and pals to use a digital lock analyser to escape Warfield during the guard's 3am coffee break. Although in a rare moment of competence, he does tip off the French police as well. Blunders & Bloopers: There's one fairly major flaw in the plot: namely that the Eiffel Tower is clearly far too narrow for the missile, and in any case not open-topped. Presumably when the missile reaches the tip of the tower it would simply explode on impact, killing everyone in the area - although conveniently we're only shown the warhead in the few seconds before it reaches this position, followed by a radar screen of it flying into space. But we like this episode far too much to care about trivialities like that. VHS Vault: This episode was released on a standalone video on both sides of the Atlantic, in PAL and NTSC formats. Sticker Story: Merlin retitled this The Eiffel Tower Missile in its adaptation for the sticker album. Comic
Capers: Issue
2 of the Marvel Comics series was based on this episode. There aren't
many differences between the two, with the exception that Marcie looks
very different, the hovercraft chase culminates slightly less
explosively in the comic, and the Eiffel Tower is used as a traditional
gantry, with the missile moving up its side, not
its centre (see Blunders & Bloopers).
Also, the beret-landmine and sword-baguette are (perhaps wisely)
omitted.
A
Novel Approach: John
Peel (under the John Vincent pseudonym) reworked and expanded the
episode for the Fantail novelisations, with the catchier name of The
Eiffel Target. Notes:
This is Dr Derange's first appearance of many in James
Bond Jr. Likewise with Skullcap. This is James's first visit to France; but he would
return there, and
indeed to Paris, in The Art
of Evil. Indeed
it's possible that this is the very class trip that was rearranged at
the end of in this episode - since Milbanks encourages James to 'learn
a bit about art' when they get there.
The Warfield gym has a S.C.U.M.-branded punchbag for what reason, exactly? The English Channel hovercraft service so heavily featured in this episode ceased to operate in 2005. |
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