Corriere
dei Piccoli / Corrierino 1993 #14 Featuring: James, IQ, Tracy, Gordo, Phoebe, Ms Fortune, Snuffer. Synopsis: We join James as he runs through a
marketplace in an unspecified Asian country, pursued by two assailants.
He leaps over a market stall, knocking fruit everywhere and apologising
to the vendor. From elsewhere, somebody calls James's name... and he
awakens in the gymnasium at Warfield, where IQ is shaking him. He asks
if James was sleeping, but James instead says he had a strange vision,
set in Nepal - and claims that these daydreams he's been having are
becoming increasingly frequent. IQ changes the subject, showing off his
latest invention, a self-retracting rope designed to stop Coach
Mitchell from critiquing his rope-climbing skills - but it backfires
and he falls to the ground. They trail Snuffer to the sacred Buddhist pilgrimage site of
Swayambhunath, and watch as he enters the temple. James gives Tracy and
Phoebe a transceiver so they can contact him to warn him of any danger;
then the girls distract the guards at the temple, while James and
Shanti slip inside by hiding behind a sacred cow. They see Snuffer
entering the dome, but deciding it will be harder to outwit the second
set of guards, James follows Shanti along an alternative route, up a
spiral staircase. From a high window, they observe Snuffer talking to
Shanti's uncle, trying to force him to reveal the location of the
secret passage to the vault where the potion is. But the uncle tells
them that only the true of heart can access the passage. Meanwhile, on the slopes of Everest, Ms Fortune has brought
in bulldozers in the hope of finding the vault with the eternal youth
potion by brute force. Having arrived in the plane, James uses IQ's
hologram projector and accompanying sound effects to summon some
convincing-looking yetis, which growl and roar at Ms Fortune's
henchmen, scaring them away. Snuffer flees too, despite Ms Fortune's
protestations, and James and Shanti are able to rescue Phoebe and
Tracy. With the eternal youth potion safe, Tracy remarks on the
effectiveness of the holographic yetis - noting that they even left
footprints. James says that's not possible; Shanti's uncle replies that
nothing is impossible on the roof of the world. Review:
It's not clear whether or not the considerable likenesses between this
story and the TV episode Fountain of Terror - which also
dealt with an elixir of eternal youth, and also featured Ms Fortune and
fake yetis in a Himalayan setting - are coincidental. But the
similarities largely end there; and regardless, this is obviously very
much a tale in its own right. It's a strong one, too, and an assured
debut for the original stories of the Corriere dei Piccoli comic run,
which confidently adapts the tried-and-tested TV formula, foregrounding
the city of Kathmandu and the real-life religious site of Swayambhunath to add some
cultural specificity to proceedings in a way that the aforementioned TV
story fails to achieve to anything like the same extent. At one point,
for example, Shanti explains that the eyes of Buddha are painted on the
four sides of the temple, to protect the four corners of the earth, a
rich and authentic detail which really helps the story leap off its
pages. The artwork is crisp, vibrant in colour and largely consistent with norms
established by the TV show, as is the characterisation; and it's
generally evident that the creators of these strips are serious about
establishing a fidelity to the spirit of the franchise. They also
appear to have a particular fondness for Ms Fortune and Snuffer, who
crop up numerous times within this run: perhaps - and we're only
guessing here - because they were thought to capture something
quintessentially British about the Bond experience which it was felt
would appeal to the Italian audience. James'
eerie déjà vu
moment in the Kathmandu marketplace reproduces a frame from his earlier
vision almost identically, but with subtle differences, particularly in
the coloration of the sky, and some of the background characters and buildings.
It isn't clear whether or not the alterations have been made for
deliberate effect, perhaps to differentiate between reality and the dreaminess of the original vision. |
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