Marvel
Comics (UK) #3 Featuring: James, Gordo,
Goldfinger,
Skullcap. Synopsis: James
and Gordo are in Tassiters, a tailor's shop on London's Savile Row -
where Gordo is being measured up for a suit, with James's assistance,
for the forthcoming Warfield Prize Day. Gordo's pleased with his choice
of attire, but James has spotted Skullcap in the shop, also making a
purchase. When James confronts Skullcap, the villain pushes past him to
the exit, so James and Gordo pursue. They trail Skullcap eastwards,
towards the docklands, where they see him enter a satellite television
station, and follow him through the doors. In one of the TV studios,
they're accosted by Skullcap and his latest paymaster, Goldfinger, who
points a gun at James and Gordo. He quickly explains his plan to them;
he's taken over the TV station's satellites so that he can spy on the
world stock markets' information exchange, allowing him to seize
control of the entire global economy and making him rich beyond his
wildest dreams. A special scanner will aid him in this task, which can
read the satellite network's secret control codes. These codes have
been smuggled into the country, he reveals, by Skullcap, in the form of
barcodes that had been patterned into the pin stripe of his new suit.
James takes action, sprinting away from Goldfinger and whacking
Skullcap around the head with one of the TV cameras. Goldfinger takes
aim at James, but Gordo intervenes, throwing his suit bag at the crook
to unbalance him. James and Gordo escape, planning to alert the
authorities, but Goldfinger assures Skullcap nobody will believe their
story until it's too late and he's in control of the world's economies.
He asks Skullcap to hand over his new suit with the embedded codes -
but it transpires that Gordo has taken the wrong bag, and he has
Skullcap's suit and vice versa. James doubts whether the pinstripe
pattern will suit Gordo... Review:
Not the strongest of the mini-comics, perhaps, hinging on what seems
like quite a nebulous and ill-defined plan for world domination
involving the international stock exchange and a satellite TV channel.
The central conceit of the barcode hidden in the pinstripe is quite
good fun, we suppose, albeit recalling the way SCUM smuggled memory
gems through customs on a flamenco dancer's dress in Dance of the Toreadors, and laser configuration relays via jewels in a necklace in Rubies Aren't Forever.
But the chain of events to which the suit is central seems to make
little sense (see 'Lows'), and as is largely unavoidable with these
stories, it's all wrapped up with precious little fanfare. On the other
hand, it's good to see Gordo at the centre of the action, and there are also a few reasonably good TV-related puns bandied about. Highs: The suit bags getting mixed up during Gordo's scuffle with
Goldfinger is a nice touch, which allows eagle-eyed readers to bask in the
glory of having spotted the resolution before it's unveiled on the next page. |
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